The Intellectual Contents and Social In the Film Lawrence of Arabia

  • Ahmed Hussein Jassim Television Arts Department of Cinematic/ College of Fine Arts /Baghdad University
Keywords: Intellectual and social implications, The speech Visual, Elements of art, Form and content, The shot and the scene, Vision Maker


The intellectual and social contents in this research have gained their importance and influence here in accordance with the method of crystallization and presentation through the visual manifesto as the discourse expressing the thought of the artistic work maker and his vision and philosophy towards the various issues of society. The cinematic discourse works both in visual and audio. And indications and symbols that carry different types of readings and interpretations depending on the type of recipient and the different cultural, environmental and intellectual references has been invested that visual discourse by the directors of feature films in many different and varied ways and uses The latest film techniques in order to create more interaction and impact on the recipient and according to this premise and content, the research was divided into four chapters: The first chapter (the methodological framework), which dealt with the problem of research, which emerged with the following question: - What qualifiers can be embodied Intellectual and social implications in the film? The chapter also included the importance of research and the need for it, as well as the research objective of revealing the intellectual and social contents in the film Lawrence of Arabia. The second chapter included (the theoretical framework), which included three topics: the first topic: the intellectual and social implications in the novel, The third part is: The role of cinematic elements in enriching the content. The researcher came out of the theoretical framework with indicators that were adopted to analyze the sample of the research, which was embodied in the film Lawrence of Arabia, which was directed by British David Lynn, which was produced in 1962. The most important results are: Constructing the image form through its various formulations of the technical elements in the creation of the intellectual contents, values ​​and socialities and communicating them to the recipient. Secondly, the Arab costume represents its artistic characteristics through the style of its style And its form and place in the personality plays an important and prominent role in the manifestation and realization of the intellectual and social contents. The most important conclusions first: that the film depends on the composition of the image based on the basic basis in the realization of multiple contents and their embodiment; Second: the artist may use more than one form In the picture narrative to express the importance of the environment and its nature in highlighting the different content in the film and finally the list of sources.


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How to Cite
A. H. Jassim, “The Intellectual Contents and Social In the Film Lawrence of Arabia”, JUBH, vol. 26, no. 9, pp. 205- 227, Jan. 2019.