The Image of Marshes in the Iraqi Contemporary Paintings صورة الاهوار في الرسم العراقي المعاصر

  • Aref Waheed Ibrahim Department of Plastic Arts, College of Fine Arts, University of Babylon, Iraq.
  • Mustafa Sahib Abbas Department of Plastic Arts, College of Fine Arts, University of Babylon, Iraq.
Keywords: picture, marshes, contemporary Iraqi painting

Abstract

The research is based on the study of the concept of marshes in contemporary Iraqi painting. The researcher presented in the first lobe the problem of research. The environment of the marshes represented a visual field rich in vocabulary, shapes, symbols and different images of life to produce plastic works in which organisms, water and birds interact with humans. The transformation element in the outside world from the environment, place, environment and social phenomena and ask questions how the image of the marshes in Iraqi art has produced the image of the marshes environment and place a change and privacy in Iraqi art and then reached the goal of research to identify the image of the marshes in Iraqi Art. The second

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The research is based on the study of the concept of marshes in contemporary Iraqi painting. The researcher presented in the first lobe the problem of research. The environment of the marshes represented a visual field rich in vocabulary, shapes, symbols and different images of life to produce plastic works in which organisms, water and birds interact with humans. The transformation element in the outside world from the environment, place, environment and social phenomena and ask questions how the image of the marshes in Iraqi art has produced the image of the marshes environment and place a change and privacy in Iraqi art and then reached the goal of research to identify the image of the marshes in Iraqi Art. The second is the theoretical framework of the research and its division into two parts. The first is the concept of the picture and the other features the image of the marshes in the Iraqi art. The researcher follows the technical experiments that worked on the environment of the marshes and enriched the stylistic diversity in them after the third chapter and analyzed five samples. In the fourth chapter, the researcher reached the results, including - for the imagined place influenced by the artist's consciousness interacting with the image of the marshes, it is an important and influential aspect of the method of its aesthetic work in the construction of creative work taken from the marshes and their diverse environments and their heritage an important source in the search for privacy and uniqueness, It presents the image of the marshes, the difference of the artist, including the fishermen, peasants and people, and the focus on the color and rhythm harmonious, and there are the wording of the vocabulary of architectural spaces and mud houses, boats and birds, and thus the image of the rich marshes contributed rich artistic methods that combine the Impressionism and Show him drawing visible representative, then reached conclusions, of which the artist deals with the place and the environment and the ocean through intuitive interaction so that intuition activity and effectiveness of a product of human images as a fruit of emotions and emotions thanks to the images turn out to be aware of aesthetic expression. The contemporary artist moves from the realization of the place to the formation of perception, the artist sees the image of the world that is trying to frame, to become the world embodied in an effort to understand and awareness of things, then the researcher made recommendations and suggestions.

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Published
2019-12-30
How to Cite
[1]
A. W. Ibrahim and M. S. Abbas, “The Image of Marshes in the Iraqi Contemporary Paintings صورة الاهوار في الرسم العراقي المعاصر”, JUBH, vol. 27, no. 6, pp. 69 - 87, Dec. 2019.
Section
Articles