The Realistic Content in Pottery Works from the Sumerian-Akkadian Revival Era

Abstract

   This research means studying (the realistic content of the artistic form in pottery works from the era of the Sumerian-Akkadian revival) and trying to learn the extent to which pottery works from the era of the Sumerian-Akkadian revival are characterized by realism. The research may include four chapters, the first chapter of which is divided to explain the problem of the research, its importance, the need for it, its goal, its limits, and its definition. Terms that refer to it. The research problem was defined by examining the most important artistic features of pottery pieces from the era of the Sumerian-Akkadian revival. The research problem was limited to the following question:

  Is it a character built in artistic works from the era of the Sumerian-Akkadian revival based on realistic content, or is it abandoned in the formal rhythm of what could be?

But the goal is to search for the realistic content of the art form in the field of pottery works from that era.

The second chapter includes two sections: the first deals with studying the concept of realism, while the second deals with form in art in the arts of ancient Iraq, and then comes up with indicators related to the research topic. The third chapter includes research procedures, with regard to the fourth chapter with the results of the research on productions.