Sociology of Jean Dauphineau and its Representations in Contemporary Iraqi Theater Discourse

Abstract

Sociology is a modern designation of sociology, which was sculpted by French philosopher Auguste Conte in 1839 as one of the most important founders of French sociology. The emergence of sociology and its development was linked to objective and intellectual conditions that occurred in the 19th century as a result of several political, economic, social and cognitive factors that led to the emergence of philosophies, theories and experiments that penetrated social structures and changed the dynamics of social reality and in all spheres of life. This research deals with the sociology of Jean Dauphineau in order to identify the relationship between theater art and social reality, ie the role of theater in understanding and interpreting the social phenomenon. And on the other hand, the role of sociology in understanding theater.And the research is divided into two chapters, the first chapter contains the problem of research based on the following question. To identify the sociology of Jean Dauphineau and its representations in the Iraqi theater discourseFrom the fact that the play experience has to do with the social reality on the grounds that the literary and artistic phenomena are originally collective facts. The chapter also includes importance, objectives and limits while the second chapter contains the theoretical framework. It includes two sections on the first subject: a historical view on the science of theology and the second section on the sociology of Jean Dauphineau in the theater.