Aesthetics of the Employment of Rafidain Myths in the Works of (Mahmoud Ajami) جماليات توظيف الأساطير الرافدينية في أعمال (محمود عجمي)

  • Salwa Mohsen Hamid Al-Taie College of Fine Arts / University of Babylon
  • Alaa Rasheed Razuki Al-Khafaji College of Fine Arts / University of Babylon
Keywords: legend, contemporary art, symbols

Abstract

The performances of plastic arts are constantly open to the new and unexpected, and due to the development that has taken place, the field of mythology has become a forum for intellectual and intellectual creations of artists. The problem of the current research in the following question: How did the legend embodied its intellectual depth of civilization -the old Iraqi- in the work of the contemporary Iraqi artist ((Mahmood Ajami))? Which aims to: Identify the aesthetics of the employment of Mesopotamian myths in the work (Mahmood Ajami), and within the temporal limits: 1986-2017. The second dealt with two topics: the first concerned with (Rafidain mythology), and the second dealt with: the employment of the Rafidain myth in contemporary Iraqi art. The third was determined by the research procedures (the research community and its sample of (5) models, analyzed according to the descriptive approach). Finally, chapter IV deals with findings, conclusions, recommendations and proposals.

One of the most important results: A trend in the incarnation tended towards pure abstraction in the work of the artist, based on the theme of myth in the work, which dealt with the forms of women and bull, illustrated by the model(3). The research ended with the most important sources and references.

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Published
2019-12-31
How to Cite
[1]
S. M. H. Al-Taie and A. R. R. Al-Khafaji, “Aesthetics of the Employment of Rafidain Myths in the Works of (Mahmoud Ajami) جماليات توظيف الأساطير الرافدينية في أعمال (محمود عجمي)”, JUBH, vol. 27, no. 6, pp. 228 - 249, Dec. 2019.
Section
Articles