The Dramatic Character’s Identity Mirrored in Language: A Pragma-stylistic Study of Judith Thompson’s Palace of the End
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Abstract
The present study aims at investigating dramatic characters' language as identity mirroring, focusing on the three main characters in Palace of the End by Judith Thompson; the American Soldier, David Kelly and Nehrjas. The play interestingly presents three totally different discourses; each character uses different linguistic notions with different artistic impulses to provide traces for his/her identity. The study is set on a ground between two interdisciplinary fields; PRAGMATICS and STYLISTICS whose main interest is meaning and its effect. The pragma-stylistic domain is intended to serve well as a means to reach the intended findings, consequently, fulfilling the aims of the study.
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[1]
“The Dramatic Character’s Identity Mirrored in Language: A Pragma-stylistic Study of Judith Thompson’s Palace of the End”, JUBH, vol. 28, no. 5, pp. 193–189, Aug. 2020, Accessed: Apr. 19, 2025. [Online]. Available: https://journalofbabylon.com/index.php/JUBH/article/view/3039
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How to Cite
[1]
“The Dramatic Character’s Identity Mirrored in Language: A Pragma-stylistic Study of Judith Thompson’s Palace of the End”, JUBH, vol. 28, no. 5, pp. 193–189, Aug. 2020, Accessed: Apr. 19, 2025. [Online]. Available: https://journalofbabylon.com/index.php/JUBH/article/view/3039