Design Aesthetics and its Reflections on the Decor of the Theatrical Show

Abstract

The decoration is one of the elements of theatrical performance that possesses a dimension that establishes to communicate the theatrical presentation of the composition to the environment in which the character lives. Decorative design requires high cultural knowledge and know-how from the designer. Therefore, the research summary came on four chapters. The first chapter mentioned the research problem, the importance of research and the need for it, the goal of the research, the limits of research and the definition of terms. As for the second chapter, it contained the theoretical framework with two researches (the first: an introduction to design aesthetics and the second: theatrical decor and aesthetic performances And its developments (then the indicators that resulted in the theoretical framework, and in the third chapter), the research procedures and the research community consisting of 6 plays and the research sample, which was (Macbeth), were directed by Dr. Salah Al-Qasab. Clear, and this director relied on the scenography of the design of the decor and its expressive tools, which were depicted in a rhetorical picture of aesthetic dimensions that were entrenched in the recipient’s memory. And the conclusions. The meanings intertwined with each other finally expressed the aesthetic value of the offer.