Plurality of the Mark in the Constant and the Variable of the Iraqi Theatrical Show

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Amer Hamed Mohamed
Shaker Abdul Azim Jafar

Abstract

The dichotomy of the constant and the variable has been present from the beginnings of drama to the present day, based on the representation of the theater for an evolving and unstable path in any case at all times. To call him the different director, as is the case with Mayerhold Ukrtovsky or Arto, as the presentation system has shifted from its stability to its mobility and its semantic transformation, so the singular component of the theatrical performance has become the other mutant with multiple connotations and meanings. Therefore, semiotics can penetrate my fixed and transformed space and read it a cognitive aesthetic reading. Therefore, the study dealt with the concept of the fixed and the philosophically and semiotic variable. One of the most important results of the research is that all theatrical performances can be semi-read on the basis of the constant and the variable, and that the theatrical mark has the ability to transform and that is a result of its nature and its ability to transform from constancy.

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How to Cite
[1]
A. H. . Mohamed and S. A. A. . Jafar, “Plurality of the Mark in the Constant and the Variable of the Iraqi Theatrical Show”, JUBH, vol. 29, no. 1, pp. 35 - 53, Jan. 2021.
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