The aesthetic experience of the recipient in contemporary art

Main Article Content

Ghassaq Muslim Al Kaabi

Abstract

The current research entitled (The Aesthetic Experience of the Recipient in Contemporary Art) consists of four chapters. The first chapter deals with the methodological framework of the research. The research problem is summarized through the following question: (How does the recipient share his aesthetic experience with the achievement, the nature of his cultural openness to the other, accepting his different experiences and the extent of their contribution to the achievement of the achievement? " Artistic and what is the creative role of the recipient in contemporary art?


) As for the second chapter, it was concerned with the theoretical framework of the research and it included two topics. The first topic was concerned with studying (the aesthetic experience in human thought). As for the second chapter, it was concerned with studying (the role of the recipient in contemporary art). The chapter was concluded with the indicators of the theoretical framework or the third chapter. The research community, which is (a group of works of the Sharjah exhibition in the Emirates), as for the induction sample, it included (3) works from the same exhibition that were analyzed according to the descriptive and analytical approach and by adopting the indicators of the theoretical framework as a research tool. The fourth chapter was concerned with the results, conclusions, recommendations and proposals.


1- The recipient was able, through his aesthetic experience, to transform the experimental act at the level of performance into a collective ritual that draws inspiration from the forms of experience from the daily culture of society, so that an aesthetic emerges that depends on taste and instant pleasure to go through the creative experience, as is evident in all samples.



  • Contemporary art, through the recipient’s aesthetic experience, returns the person to his social, political, cultural and economic world, proposes a new method of aesthetic thinking through which he renews his deeper collective sensitivity to his reality with all its complexities and concerns, as is evident in all samples.

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How to Cite
[1]
G. M. . Al Kaabi, “The aesthetic experience of the recipient in contemporary art”, JUBH, vol. 29, no. 3, pp. 245-258, Apr. 2021.
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Articles