Violence in Flirtation in the pre-Islamic ear

Abstract

Spinning is one of the most beautiful poetic arts and the closest to human nature, and the human soul yearns for it and is indispensable for it, because it relates to women and directs them to them, and they are the motivator and motivator for him. Those that pertain to women and carry men’s perceptions of them are for men’s poets. The pre-Islamic poem recorded a clear presence of women and we imposed a significant space in the poetic heritage as a major axis of its axes, so that poets found a wide scope for expressing emotions and feelings and showing ways of ingenuity and creativity. The origin of the flirtatious art is that it is characterized by tenderness and softness, and that it stays away from the sharp and violent style, but it seems that violence has penetrated all sections of poetry, including flirtation. To this day, there is no doubt that violence has its causes and motives, so this study tried to shed light on the phenomenon of violence in the pre-Islamic era and to identify the most important reasons that led to its emergence in the art of (spinning) in particular.

The research was divided into two sections. The first chapter studied violence in words, while the second chapter was concerned with studying violence and its manifestations in flirtatious images.