Applications of Love Construction in Modern Drawings

Abstract

The two researchers were interested in studying the concept of love in modern painting, as the researchers divided the subject of their research into four chapters. As for the limits of the research, it was represented by the spatial limits (Europe), while its temporal limits were represented for the period (1839-1897 AD), while the objective limits included the study of the applications of the structure of love in modern drawing, which are found in some documents and international encyclopedias and others, which included (art galleries, public holdings, museums, The electronic information network, magazines, newspapers). As for the second chapter, it was divided into two sections about me. The first topic (the structure of love in European literature) As for the second topic (the concept of love in European art), while the third chapter included the research procedures, the research community, the research sample and its analysis.The fourth chapter included the results of the research and its conclusions, and the most important results were 1- Applications of the human and social contents of love in the structure of modern painting. As for the conclusions of the research, the most important of them were 1- Most European artists used the forms of love in their artwork. They relied on drawing with colors that suggest love, in forms, movements, or events.

The fourth chapter included recommendations and proposals, and the research concluded with a list of Arab and foreign sources and a summary in English.