The Conceptual Dimensions of the Human Image in the Graffiti Art in Light of Gilles Deleuze’s Ideas

Abstract

The tagged research dealt with (conceptual dimensions of the human image and its approaches in graffiti art in the light of the propositions of "Gilles Deleuze"), the first chapter of which included the research problem, its importance and the need for it, as well as the aim of the study, which was represented by "knowing the conceptual dimensions of the human image and its approaches in graffiti art in In light of the propositions of "Gilles Deleuze", then the two researchers finished the aforementioned chapter by defining the terminology. As for the second chapter, which dealt with a presentation of the theoretical framework within two sections, the first topic dealt with: (a study in the thought of Gilles Deleuze), while the second topic was concerned with (graffiti art: a study of concepts). applications)

As for the third chapter, the descriptive approach was adopted for the purpose of analyzing the research sample according to the indicators adopted by the two researchers, and the research sample was chosen in an intentional manner that covered the limits of the research. As for the fourth chapter, it contained the results and conclusions of the research, which included:

It appeared through the analysis of the research sample models that the elements of the artistic work are characterized by multiplicity and diversity, as well as the situation at the level of multiplicity and diversity of methods and techniques through which the conceptual dimensions of the human image were formulated.

• There is an undermining of the hierarchical hierarchy of power with all its political, religious and patriarchal names, as the forms are in a scattered medium far from such a hierarchy, and this is an ideal case according to Deleuze's treatises according to artistic, technical and stylistic treatments that consolidate the concepts of multiplicity, diversity and fragmentation.


• Deleuze's proposals constitute real approaches to the image of contemporary artwork, which is usually characterized by freedom, abundance of elements, departure from hierarchical systems and lack of concentration, and that the conceptual dimensions of the human form in it take their names from these same new characteristics.