The Role of Intentionality and Spontaneity in Enriching the Aesthetic Values of Pictorial and Ornamentational Designs
Main Article Content
Abstract
Intentional and spontaneous behavior in design can be summarized as follows: intentional behavior depends on the subjective aspect of the designer, that is, the action performed by the designer towards the subject of the design, and the objective aspect of the design, that is, the subject indicated by the act of the designer, while the automatic aspect depends on the emotional and sensory states of the designer, as well as the flow of his ideas in front of the design surface. These behaviors form part of the framework of procedural processes throughout the work and the development of the decorative panel.
In modern times, decorative painting is an essential part of urban evidence, where aesthetic works play an important role in the aesthetics of evidence and community service. The decorative drawing carries a clear content for the recipient, cultivating a more accurate sense of taste through a procedural method. It aims to learn more in order to feel a critical sense of dice, aesthetic sensitivities, and leadership skills. The decorative design acts as a document with visual meaning, providing information, guidance and multiple documentation. The expected return of the study lies in the possibility of defining the fields of decorative design as an art intertwined with other plastic arts in the motivation to provide aesthetic value to the decorative painting.
Decorative painting is an important part of urban guides and community service, carrying a clear message for connoisseurs thanks to the way the taste is cultivated. In addition to its aesthetic function, it acts as a document with visual meaning, providing information, guidance and documentation.
The research consists of three chapters. The first credit deals with "the problem of research and the importance of research, the objective of the research" and its temporal , spatial and objective boundaries and the definition of terms.
The second chapter deals with what is a decorative panel, the intentional structure of the practice of decorative panel design, the automatic structure of the practice of decorative ergonomic design, and the impact of both spontaneous intentional work on the design of the decorative panel.
The third chapter deals with the analysis of samples, results, conclusions, recommendations, proposals and sources.