Inspiration of heritage text in theater

Abstract

The process of cultural accumulation continues from the past through the present to the future, and the heritage of any nation is one of the main factors in the maturation and development of the experience of that nation, so many writers, poets and theater writers inspired and activated the heritage to serve their visions and intellectual and aesthetic trends with their keenness to pick With a scientific objectivity to the nature of the contents represented by that heritage and inspired and rephrased through the visions of aesthetic and artistic and intellectual advanced and converted to literary texts take their way to the stage in a new form live through theatrical performances is an artistic and cultural process continues and maintain the drama heritage which e And part of the human heritage is the result of the accumulation of civilizations combined and interaction with each other, so the process of inspiration heritage and re-read and submit is a cultural and artistic experience is necessary and important to create a state of communication and renewal as the consideration of the heritage becomes a contemporary vision enables us to re-possess the heritage on a new basis, Cognitive and intellectual of the total motivating elements of the process of building the present.

And divided the research into four chapters, including the first of the problem of research, which focused on the extent to which the Iraqi director can enumerate his vision of the dramatic heritage in his theatrical performances? The need for this research list for the purpose of detecting the multiplicity of literary vision of the dramatic heritage of the Iraqi director and playwright. And its importance and then the goal of the research was to identify the multiplicity of literary visions of the dramatic heritage and re-read in theatrical performances of modern and then the limits of research and define its terms. The second chapter may be of three things:

• The first topic: the concept of inspiration.


• The second topic: sources of drama heritage.


• The third topic: theatrical currents and drama heritage.

The study concluded with the indicators that emerged from the theoretical framework.

As for the third chapter, he added:

• research community


• The research sample


• Research Methodology


• Search tool

The third chapter also included a detailed analysis of the research sample chosen by the researcher by selecting a qualitative model with a clear effect on the

 movement of the modern Iraqi and Kurdish theater scene and the impact of

inspiration and clarity on the heritage.

Kawa Haddad by the writer Shirko Pechese.

The fourth chapter may be from the results that emerged through the analysis of the sample sample, which was the most important:

1. Historical personality does not necessarily have to be fixed or linked to a particular

 time.
2. With the absence of titles, Kawa Haddad is the same as Gilgamesh in his quest for immortality. He himself is Robin Hood, the seeker of justice in society, himself a thief of revolutionaries who revolutionized the distribution of wealth to all, the same William Wallace, the Scottish revolutionary seeking freedom and salvation for the people. Scotland of the domination of England and the enslavement of its people to its people.
3. The myth of contemporary man has achieved a real possibility of understanding

 human history since its earliest primitive stages.

1. The educational function of the legend is based on its use by philosophers and wise men as a means of teaching knowledge to others and in stirring up national feelings by reminding people of their history to take lessons from this history.
   The research concluded with some recommendations and suggestions and confirmed the sources adopted by the board.