The Intellectual Underpinnings of Islamic Art and Its Representation in The Design of The Egyptian

Abstract

This study is concerned with (the ideational bases of Islamic art and its representions in the designs of Op.Art) .

This study contains four chapters . chapter one includes the problem of the research , importance , aims , limitations , and the terms of the research .

The problem of the research deals with the ideational bases of Islamic art and its representions in the designs of Op.Art through the answer of the following questions :

• Was there an effect for the ideational bases of Islamic art and its representions in the designs of Op.Art?


• How did the Op.artist employ the ideational bases of Islamic art in his artistic designs ?

The present research has aim , namely , the introducing on the ideational bases of is Islamic art and its representions in the designs of Op.Art .

A regards its limits , the research is concerned in the study of ideational bases of Islamic art and its representions in the designs of Op.Art that are made and done from (1960 – 1988) in American United States and Europe .

Chapter two includes the theoretical lay-out of the research and the theoretical lay-out includes two section : the first section deals with the study of (the ideational bases of Islamic religion and its effect on Islamic Art) . the second section deals with the study of the (structural formation of Op Art designs) .

Chapter three deals with the research procedures which includes identifying the research community which contains (35) artworks , and the research samples were (5) artworks , then the research instrument , research method , athetic and statistical means , and finally the samples analysis .

Chapter four includes the results , conclusions , resommenditions and suggestions of research .