Spatial Slit in the Russian Play Contemporary.

Main Article Content

Noor Saed Jabbar AL-khuzaey
Amal Hassen Ebrahim AL-Gzaly.

Abstract

The researchers studied spatial restatements in the contemporary Russian dramatization, and the importance of the research in shedding light on the theatrical achievements of the most important book of the Russian Theater and know the concept of the place and its backlights and opposites in the Russian theatrical text, and the aim of the research has known the location of the place in the Russian theatrical text, studied The research concept of the place and its effects in the first discourse, the second part the development of the contemporary Russian theater, consisted of the Search Society of (25) Russian theatrical text determined by the time period (1969-1990), and the researchers used the descriptive method in the analysis style and reached the results of many of them the location of the pet In the park with an open public transition, ostensibly symbolizing the optional private spaces that combine eviction with the owners in intimate hours that bring love, safety, comfort, and conclusions, the most important of which is that the Russian playwright combines open and enclosed spatial opposites, constant and transitory, Imaginary and realistic, the researchers also recommended several recommendations and suggested studies and proven sources.

Article Details

How to Cite
[1]
“Spatial Slit in the Russian Play Contemporary. ”, JUBH, vol. 27, no. 4, pp. 285–299, Dec. 2019, Accessed: Apr. 20, 2025. [Online]. Available: https://journalofbabylon.com/index.php/JUBH/article/view/2638
Section
Articles

How to Cite

[1]
“Spatial Slit in the Russian Play Contemporary. ”, JUBH, vol. 27, no. 4, pp. 285–299, Dec. 2019, Accessed: Apr. 20, 2025. [Online]. Available: https://journalofbabylon.com/index.php/JUBH/article/view/2638