The Poetry of Music and Influences and Their Effect in the Contemporary Iraqi theatrical Performance

Abstract

The research contained four chapters، in the first chapter (the methodological framework) the research problem was identified by the following question:- (What are the poetry of music and its influences? How do they work in the contemporary Iraqi theatrical performance?), and the importance of the research and the need for it came by shedding light on one of the effective elements in Forming the structure of the theatrical performance, as this study provides an opportunity to find an interrelationship between concepts of adjacent artistic genres (poetry، theater). The research aimed to identify the concept of the poetry of music and influences and their functions in the contemporary Iraqi theater show، and the limits of the research were limited to the time limit (2010-2015) for theatrical performances presented on the National Theater in Baghdad. Then the chapter concluded by defining the terms.

The second chapter (theoretical framework), consists of three sections. The first section deals with conceptual poetry, and the second section deals with the poetry's poetic manner (Al-Sayyab and Al-Bayati) as a model. Then the chapter concluded with the indicators of the theoretical framework. The third topic: the poetry of music and its influences and their work in the theater internationally and in the Arab world. Then the chapter concluded with the indicators of the theoretical framework. The third chapter, included (research procedures), which are the research community, research samples and tools, and the research method. Several theatrical models were selected and analyzed.

The fourth chapter contains the results of the research that the researcher has reached، the most important of which are:-

1-The poetry of music and influences coincided with the idea of theatrical performance to play a complementary role following the course of the show and its desired goals, so the music and its influence came with a realistic sensual tendency connected harmonically with the horizon of aesthetic expectation restricted to the presence of taste and the system of collective awareness، as in the play (The Madness of Doves(.

This chapter also contains conclusions and a set of recommendations and proposals, then proves the sources and references.