The Structural Identity of the Contemporary Sculptural Works

Abstract

 Archival and emotional, according to the mechanisms of her engagements in contemporary art. The research included four chapters. The first chapter concerned the framework of the research, which deals with the research problem, its importance, the need The second chapter included: two topics that represent the theoretical framework and its indicators, ending with previous studies, and the first topic dealt with the infrastructure (concept and functioning). The second topic dealt with: composition and structuralism in sculpture. As for the third: it included research procedures, by defining the research community, and the sample representing it, ending with the analysis of the research sample amounting to (2) a sample distributed according to contemporary art movements for it, and the current objectives of: the synthetic infrastructure of the basic works and installation and their works in contemporary art, as well as the limits of research (1945-2000). The first chapter ended with electronic messages used for messages.