Torture and its Representations in the Texts of Mustafa Al Hallaj Theatre

Abstract

The texts of the play are a wide range of ideas and ideas, in accordance with the narratives and narratives that accompany the problems of the times. These texts are one of the important literary productions in the whole culture and literary genres, which is one of the important means of communication between them and the recipient.

 The research included (torture and its representations in the texts of Mustafa Al-Hallaj theatrical) on four chapters, which included the first chapter on the problem of research and was in question (to what extent represents torture in the texts of Mustafa Al-Hallaj theatrical?), And the importance of research and the need and the objective of the research which came (identify representations Torture in the texts of the play of Mustafa Al-Hallaj) This research included the boundaries of the research, which was determined by the time (1957/1974) Makkia Syria and came objectively study the subject of torture and its representations in the texts of Mustafa Al-Hallaj drama, and concluded the chapter by the definition of terminology, the second chapter focused on the first two ( Conceptual torture) Which was divided into two main axes: the first was the concept of torture and the second was the torture. The second topic was divided into two main axes: torture and its representation in the theater text. The second axis was Mustafa al-Hallaj and its intellectual references. The theoretical framework The third chapter (the research procedures) represented by the research community, the research sample, the research methodology and the research tool. The research concluded with the fourth chapter, which included the results, conclusions and recommendations to end the research with a list of sources and references.