Concept Of Rebellion And Its Preoccupation With Conceptual Art (Joseph Boise Model)

  • Ameer Ahmed Ghazi Department of Art Education /College of Fine Arts/ University of Babylon
  • Fatima Latif Abdullah Department of Art Education /College of Fine Arts/ University of Babylon
Keywords: Rebellion, Occupation, Conceptual Art, Joseph Boise


The concept of rebellion and its preoccupation with conceptual art - Joseph Boise model - dealt with the concepts of the insurgency, its multiple meanings, and the mechanics of its work in conceptual art, specifically the German artist Joseph Boise. The problem of research was the following: What is the preoccupation of the rebellion in the works of the conceptual artist Joseph Boise? The first chapter deals with the methodological framework of the research, which included the problem of research, the importance of research and the need for it, and the objective of the research, which is to detect the exploitation of the insurgency in the works of artist Joseph Boise. The first chapter also included the limits of study and the definition of research terms. The second chapter (theoretical framework and previous studies) included two topics dealing with the first topic, the definition of the concept of rebellion and its meanings, while the second section on the foundations and the emergence of absurdity and rebellion of the philosopher Albert Camus, and the second section included the rebellion in psychology and psychosocial rebellion, With theoretical framework indicators and previous studies reviewed by the researcher.The third chapter included the research procedures used by the researcher to identify the research community and the sample of the research, the method of preparing the research tool and verify its validity and stability as well as the statistical tools and methods used by the researcher, and ended the third chapter analysis of the research sample consisting of 4 works of the artist. The research ended with the fourth chapter, which included reviewing the results of the researcher based on the analysis, which was the most important:

  • The philosophical insurgency, in its multiple senses, is the most expressive space of the insurgency's preoccupation with Boise's work through its strange forms and unusual raw materials.
  • The work of Boise with its materials, shapes and contents is a point of boycott with the arts. He did not go into his works to the elements of art known and did not employ the forms of art traded, but revolted on all these shapes with materials and forms not with a functional function, but Boise is technically employed.

The most important conclusions were:

  • With the belief that the insurgency is old and present in every age, but his philosophical preoccupations in the works of Boise emerged at the peak of their situations through the use of forms and raw materials in an unusual manner and to the extent that it is a challenge and rejection and violation of previous contexts and customs and traditions of all kinds, at the level of shapes and materials and their contents , In addition, the fourth chapter included the conclusions drawn up by the researcher according to the results in addition to the recommendations and proposals. The research ended with sources and references in the language in addition to the annexes, the abstract of the research and the title in English.


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How to Cite
A. Ghazi and F. Abdullah, “Concept Of Rebellion And Its Preoccupation With Conceptual Art (Joseph Boise Model)”, JUBH, vol. 26, no. 6, pp. 223 - 251, Jun. 2018.