Visual and Intellectual Approaches in Contemporary Iraqi Ceramics المقاربات البصرية والفكرية في الخزف العراقي المعاصر
There are many terms that deal with literature and art, especially the term approach or method and technique and despite the convergence of these terms, but there are differences in meaning, we found that the term approach is closely linked to the terms of our way and technically, but the difference in the term approach that it means different theories related to the subject and nature The approach of this approach is the process of extracting the general idea or the significance that can be discovered between the plastic and the format. The current research problem has determined that the arts in all societies of the world are related to aesthetics, Rabat is the relationship based on the quest to serve people in different aspects of life The development of art in all its areas on the development of human paper, which means that art is directly linked to the stages of the evolution of human life, even if we live the lives of communities, we found that it has been associated with a large part of them The life of man to ease his shoulders The importance of research has emerged in the fact that the basic criterion, as is common in the development of complexes, is the advancement of its arts and literature, The objective of the research was to identify visual approaches and intellectual approaches in contemporary Iraqi ceramics. The second chapter is organized by two sections. The first topic includes the concept of visual and intellectual approaches The second topic includes contemporary Iraqi art, theoretical framework indicators and previous studies It is theoretical framework indicators 1 - The simplest concept of approaches is the process of extracting the idea and applied in concrete practical way, any conversion to optical and that is the approach between visual and intellectual 2 - The idea is a mental work related to thinking and from the imagination When the artist seeks to approach a certain idea of reality, it arrives in a straight line while thinking and visualizing what visual and visual embodiment and whenever the visual approach is explained intellectual, the work will become more aesthetic in the eyes of the recipient The third chapter came through the research procedures including the research community, the research sample, the research method, the research tool and the analysis of the samples The research community has selected 20 different works of the artists (Angham Al Saadoun, Saad Shaker, Maher Al Samarrai, Turki Hussain, Raad Al Dulaimi). The fourth chapter has conclusions, conclusions, recommendations, proposals and results 1 - Contemporary ceramics in general adopted the inspiration of the heritage in some aspects We have found that there is an employment of the historical and cultural aspects in the work of most contemporary ceramics, especially Iraqi cottons And proposals Current research suggests optical approaches to the treasury of arrows Musawi.