Geography and Its Representations in Modern Art: Impressionism as a Model

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Ghassaq Muslim Al Kaabi

Abstract

 The research tagged (geography and its representations in modern art) consists of four chapters. The first chapter poses a problem of research through the following questions: How was the modernist artist able to represent the geographical environment of his geographical environment? What are the artistic and aesthetic developments brought about by the modernist artist in his representation of the geography of his environment? As for the second chapter, it was divided into two sections: geography and its impact on man from the point of view of scientists, theorists, and geography in art, roots and representations. The third chapter was devoted to analyzing the research sample consisting of three models of modern art. The fourth chapter presented the results of the research, including: the artist represents The modernist impressionist is the geography of the natural environment in a spontaneous, intuitive and direct visual manner according to the variables of light, so you do not see the terrain except from behind the fluidity of color and the emotion of movement and highlighting the extent through climate and color.

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How to Cite
[1]
“Geography and Its Representations in Modern Art: Impressionism as a Model”, JUBH, vol. 30, no. 4, pp. 71–88, Apr. 2022, Accessed: Apr. 19, 2025. [Online]. Available: https://journalofbabylon.com/index.php/JUBH/article/view/4076
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Articles

How to Cite

[1]
“Geography and Its Representations in Modern Art: Impressionism as a Model”, JUBH, vol. 30, no. 4, pp. 71–88, Apr. 2022, Accessed: Apr. 19, 2025. [Online]. Available: https://journalofbabylon.com/index.php/JUBH/article/view/4076