Aesthetics of the syllabic sounds in the discourse of women in the Holy Qur’an

Abstract

The narrative context - which the Noble Qur’an follows in presenting the news of the previous nations to take lessons from their experiences - requires a multiplicity of characters mentioned in it, so you find the man: the prophet, the righteous man, the unbeliever, the mighty and others, and you also find in it women of all kinds. According to its position in the story, and for this reason, the discourse is multiplied for each of them; And because the women’s discourse in the Holy Qur’an came little compared to the men’s discourse; We decided to address it by phonemic study in order to answer some of the questions that revolve in our minds: Does the passage have a role in the phonetic construction of the text? Does the passage in women’s speech in the Holy Qur’an differ from one woman to another according to her status and psychological and social status? And then revealing the syllabic aesthetics that characterizes each discourse, and revealing the syllabic differences between the discourses received by the 11 women mentioned in the Holy Qur’an, Taking the analytical statistical approach based on counting all the sample segments and then analyzing each sample separately to arrive at the difference between those speeches in terms of the rise and fall of a certain type of audio clips and the impact of that drop or rise on the atmosphere of the public discourse, and we concluded that the audio clip is of great importance In depicting the meaning, it is like the rest of the linguistic tools that shed on the texts to show its connotations.