Subjectification in the Iraqi Dramatic Text

Main Article Content

Ali Oday Saheb
Ameer Hisham Al-Haddad

Abstract

The authority tends، in every time and everywhere to force the other by hegemony and domination using  numerous different means to enchain and dwarf him- in order to make it easy to guide and control him. The subjectification is one of the most important ways that authorities resort to in order to do that compulsion. Thus، the dramatic texts، as they are the most famous spheres to show the struggle between different forces and contrasted powers، reflected various manners for authorized tendency between the main cultures or by the organizations of the state and even the whole family. This research takes care of the subjectification of the Iraqi dramatic text because it is considered to be one of the principal concepts of post colonialism studies. And for this reason the researcher divided his research into four chapters:  The first chapter is the methodical framework of the research. It includes the research problem which focused on the following question (What is the subjectification in the Iraqi dramatic text ?) and its importance، need and benefit for students and theatrical workers. Besides، the purpose of the research (the definition of the subjectification in the Iraqi dramatic text) and the time limits between (2005 - 2020) and its location in Iraq. As well as، it took care of the topic subject ( studying the subjectification in the Iraqi dramatic text). Finally، limiting the idioms: (subjectification، post colonialism) and the procedure definitions.


The second chapter  included the theoretical frame work of  the research. It included three parts. The first part included the conception of the subjectification and the reference books. The second part included the self-personality and objectivity within the postmodernism.


The third part included the subjectification in the Iraqi، Arabic and global dramatic text. The third chapter included the procedure of the research which contained (34) Iraqi dramatic texts. As well as، an in tensional sample of the research was taken. It was (k 9) play  written by Hussein AL- Iraqi in (2020). The researcher depended upon systematic description to analyze that sample according to the nature of the present research.


The fourth chapter included the results، conclusions، recommendations، suggestions، sources، reference books and appendixes. As result، the researcher reached to these results in analyzing the sample:



  • The dramatic text inclined to depend a legible language mostly away from the poetic forms and the eloquentic decorations، Thus، the author committed himself to let the receiver reach to the prior important content of the dramatic text.

  • The subjective authorities resorted to many manners in order to compel the others to follow them by body violence and false speeches as in (K.9) play.

Article Details

How to Cite
[1]
“Subjectification in the Iraqi Dramatic Text”, JUBH, vol. 31, no. 6, pp. 121–139, Jun. 2023, Accessed: Apr. 19, 2025. [Online]. Available: https://journalofbabylon.com/index.php/JUBH/article/view/4644
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Articles

How to Cite

[1]
“Subjectification in the Iraqi Dramatic Text”, JUBH, vol. 31, no. 6, pp. 121–139, Jun. 2023, Accessed: Apr. 19, 2025. [Online]. Available: https://journalofbabylon.com/index.php/JUBH/article/view/4644

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