The Aesthetics of Poetic Necessities in Alfarazdaq's Poetry

Abstract

Al-Farazdaq occupied the people of his time with the wonders of his poems, the strangeness of his words and his departure from the grammar of the language that he lived in contemplating. Most of his poetry was a subject of protest and a subject of surprise at the same time. He is the first scholars of Arabic who violate the rule, and Al-Farazdaq is a lofty stature in the language whose wonders and arts are not hidden from him. In addition, he would carve his words according to what the linguists accept, if he desired.  However, Ibn Tamim Al-Bar, who is proud of it, who defended its reputation, has intentions that the statement may not translate in his outspoken face. Perhaps this is a reason for interpreting some of the necessities that were mentioned in his poetry through the two researchers looking for aspects of the interpretation of necessity away from the verbal rule, close to the psychological significance.

One of the most important findings of the study: that Al-Farazdaq did not always have to use the poetic necessity, there is a close link between psychological connotations and societal events of   poetic necessity to Al-Farazdaq. The environment and upbringing has a clear impact on purposes of styles in Al-Farazdaq's Poetry.